Beyer, Conrad: Deutsche Poetik. Handbuch der deutschen Dichtkunst nach den Anforderungen der Gegenwart. Zweiter Band. Stuttgart, 1883.p2b_566.001 p2b_566.002 p2b_566.003 p2b_566.004 p2b_566.005 p2b_566.006 p2b_566.007 p2b_566.008 p2b_566.009 p2b_566.010 p2b_566.011 p2b_566.012 p2b_566.013 p2b_566.014 p2b_566.015 p2b_566.016 p2b_566.017 Peiwasch-Parneh, Volksepos d. Lappen p2b_566.019 p2b_566.020 p2b_566.021 p2b_566.022 p2b_566.023 p2b_566.024 p2b_566.025 p2b_566.026 p2b_566.027 p2b_566.028 p2b_566.029 p2b_566.030 p2b_566.031 p2b_566.032 p2b_566.033 p2b_566.034 p2b_566.035 p2b_566.036 p2b_566.037 p2b_566.038 p2b_566.039 p2b_566.040 p2b_566.041 p2b_566.042 p2b_566.043 p2b_566.044 p2b_566.045 p2b_566.046 p2b_566.047 p2b_566.048 p2b_566.049 p2b_566.050 p2b_566.051 p2b_566.052 p2b_566.053 p2b_566.054 p2b_566.055 p2b_566.101 p2b_566.102 p2b_566.103 Platen I 117. 210. 320. 323. 325. 327. p2b_566.105 p2b_566.110 p2b_566.111 p2b_566.112 p2b_566.113 p2b_566.114 p2b_566.115 p2b_566.116 Plönnies I 551. 682. II 262. 273. 325. p2b_566.118 p2b_566.119 p2b_566.120 Poesie, Schwesterkünste ders. im Verhältnis p2b_566.122 p2b_566.123 p2b_566.124 p2b_566.125 p2b_566.126 - Jordans Ansicht über Entstehung I p2b_566.128 p2b_566.129 p2b_566.130 p2b_566.131 p2b_566.132 p2b_566.133 p2b_566.134 p2b_566.135 - Geschichte ders. bis Schiller u. Goethe p2b_566.137 - Geschichte ders. bis in die Gegenwart p2b_566.139 p2b_566.140 - das Verhältnis der Künste zu derselben p2b_566.142 p2b_566.143 p2b_566.144 p2b_566.145 p2b_566.146 p2b_566.147 p2b_566.148 p2b_566.149 p2b_566.150 p2b_566.151 p2b_566.152 p2b_566.153 p2b_566.154 p2b_566.155 p2b_566.001 p2b_566.002 p2b_566.003 p2b_566.004 p2b_566.005 p2b_566.006 p2b_566.007 p2b_566.008 p2b_566.009 p2b_566.010 p2b_566.011 p2b_566.012 p2b_566.013 p2b_566.014 p2b_566.015 p2b_566.016 p2b_566.017 Peiwasch-Parneh, Volksepos d. Lappen p2b_566.019 p2b_566.020 p2b_566.021 p2b_566.022 p2b_566.023 p2b_566.024 p2b_566.025 p2b_566.026 p2b_566.027 p2b_566.028 p2b_566.029 p2b_566.030 p2b_566.031 p2b_566.032 p2b_566.033 p2b_566.034 p2b_566.035 p2b_566.036 p2b_566.037 p2b_566.038 p2b_566.039 p2b_566.040 p2b_566.041 p2b_566.042 p2b_566.043 p2b_566.044 p2b_566.045 p2b_566.046 p2b_566.047 p2b_566.048 p2b_566.049 p2b_566.050 p2b_566.051 p2b_566.052 p2b_566.053 p2b_566.054 p2b_566.055 p2b_566.101 p2b_566.102 p2b_566.103 Platen I 117. 210. 320. 323. 325. 327. p2b_566.105 p2b_566.110 p2b_566.111 p2b_566.112 p2b_566.113 p2b_566.114 p2b_566.115 p2b_566.116 Plönnies I 551. 682. II 262. 273. 325. p2b_566.118 p2b_566.119 p2b_566.120 Poesie, Schwesterkünste ders. im Verhältnis p2b_566.122 p2b_566.123 p2b_566.124 p2b_566.125 p2b_566.126 ─ Jordans Ansicht über Entstehung I p2b_566.128 p2b_566.129 p2b_566.130 p2b_566.131 p2b_566.132 p2b_566.133 p2b_566.134 p2b_566.135 ─ Geschichte ders. bis Schiller u. Goethe p2b_566.137 ─ Geschichte ders. bis in die Gegenwart p2b_566.139 p2b_566.140 ─ das Verhältnis der Künste zu derselben p2b_566.142 p2b_566.143 p2b_566.144 p2b_566.145 p2b_566.146 p2b_566.147 p2b_566.148 p2b_566.149 p2b_566.150 p2b_566.151 p2b_566.152 p2b_566.153 p2b_566.154 p2b_566.155 <TEI> <text> <back> <div n="1"> <pb facs="#f0588" n="566"/> <p><lb n="p2b_566.001"/><cb type="start"/> Päon <hi rendition="#aq">I</hi> 302.</p> <p><lb n="p2b_566.002"/> Pape <hi rendition="#aq">II</hi> 501.</p> <p><lb n="p2b_566.003"/> Parabel <hi rendition="#aq">II</hi> 167.</p> <p><lb n="p2b_566.004"/> Paradoxon <hi rendition="#aq">I</hi> 198.</p> <p><lb n="p2b_566.005"/> Parallelismus <hi rendition="#aq">II</hi> 194. 392.</p> <p><lb n="p2b_566.006"/> Paramythie <hi rendition="#aq">II</hi> 171.</p> <p><lb n="p2b_566.007"/> Parenthese <hi rendition="#aq">I</hi> 212.</p> <p><lb n="p2b_566.008"/> Parisius <hi rendition="#aq">II</hi> 401.</p> <p><lb n="p2b_566.009"/> Parodie <hi rendition="#aq">II</hi> 193.</p> <p><lb n="p2b_566.010"/> Parzival <hi rendition="#aq">I 46. II</hi> 306.</p> <p><lb n="p2b_566.011"/> Pasque <hi rendition="#aq">II</hi> 368. 501.</p> <p><lb n="p2b_566.012"/> Passion <hi rendition="#aq">II</hi> 536.</p> <p><lb n="p2b_566.013"/> Paul <hi rendition="#aq">II</hi> 406.</p> <p><lb n="p2b_566.014"/> Paulsen <hi rendition="#aq">II</hi> 474.</p> <p><lb n="p2b_566.015"/> Paumgartten, v. <hi rendition="#aq">II</hi> 421. 501.</p> <p><lb n="p2b_566.016"/> Pause, rhythmische <hi rendition="#aq">I</hi> 270.</p> <p><lb n="p2b_566.017"/> Pegnitzschäfer <hi rendition="#aq">I</hi> 510.</p> <lb n="p2b_566.018"/> <p>Peiwasch-Parneh, Volksepos d. Lappen <lb n="p2b_566.019"/> <hi rendition="#aq">II</hi> 283. 297. 298.</p> <p><lb n="p2b_566.020"/> Pentameter <hi rendition="#aq">I</hi> 357.</p> <p><lb n="p2b_566.021"/> Percy <hi rendition="#aq">II</hi> 75. 97.</p> <p><lb n="p2b_566.022"/> Pergolese <hi rendition="#aq">II</hi> 511. 516.</p> <p><lb n="p2b_566.023"/> Peri <hi rendition="#aq">II</hi> 514.</p> <p><lb n="p2b_566.024"/> Perinot <hi rendition="#aq">II</hi> 489.</p> <p><lb n="p2b_566.025"/> Peripetie im Drama <hi rendition="#aq">II</hi> 45.</p> <p><lb n="p2b_566.026"/> Perl <hi rendition="#aq">II</hi> 401.</p> <p><lb n="p2b_566.027"/> Perrault <hi rendition="#aq">II</hi> 261.</p> <p><lb n="p2b_566.028"/> Perron <hi rendition="#aq">II</hi> 501.</p> <p><lb n="p2b_566.029"/> Persische Vierzeile <hi rendition="#aq">I</hi> 584. 643.</p> <p><lb n="p2b_566.030"/> Personifikationen <hi rendition="#aq">I</hi> 169.</p> <p><lb n="p2b_566.031"/> Pessimistenbrevier <hi rendition="#aq">II</hi> 428.</p> <p><lb n="p2b_566.032"/> Peter v. Staufenberg <hi rendition="#aq">I</hi> 48.</p> <p><lb n="p2b_566.033"/> Petöfi <hi rendition="#aq">II</hi> 156.</p> <p><lb n="p2b_566.034"/> Petrarka <hi rendition="#aq">II</hi> 139.</p> <p><lb n="p2b_566.035"/> Petri <hi rendition="#aq">I</hi> 7.</p> <p><lb n="p2b_566.036"/> Petrik <hi rendition="#aq">II</hi> 501.</p> <p><lb n="p2b_566.037"/> Pfarrius <hi rendition="#aq">I 211. 739. 741. II</hi> 387. 401.</p> <p><lb n="p2b_566.038"/> Pfeffel <hi rendition="#aq">II</hi> 88. 175. 207. 215. 253.</p> <p><lb n="p2b_566.039"/> Pfinzing, Melchior <hi rendition="#aq">II</hi> 178.</p> <p><lb n="p2b_566.040"/> Pfitzer G. <hi rendition="#aq">I 504. II</hi> 67. 273.</p> <p><lb n="p2b_566.041"/> Pflug <hi rendition="#aq">II</hi> 387.</p> <p><lb n="p2b_566.042"/> Phädrus (Fabeldichter) <hi rendition="#aq">II</hi> 165.</p> <p><lb n="p2b_566.043"/> Phaläkische Strophe <hi rendition="#aq">I</hi> 524.</p> <p><lb n="p2b_566.044"/> Phaläkischer Vers <hi rendition="#aq">I</hi> 339.</p> <p><lb n="p2b_566.045"/> Pherekratischer Vers <hi rendition="#aq">I</hi> 340.</p> <p><lb n="p2b_566.046"/> Pherekratische Strophe <hi rendition="#aq">I</hi> 523.</p> <p><lb n="p2b_566.047"/> Philippson <hi rendition="#aq">II</hi> 387. 400.</p> <p><lb n="p2b_566.048"/> Phöbus <hi rendition="#aq">I</hi> 108.</p> <p><lb n="p2b_566.049"/> Pichler, A. <hi rendition="#aq">II</hi> 107. 401. 501.</p> <p><lb n="p2b_566.050"/> Pichler, Karoline <hi rendition="#aq">II</hi> 235. 253.</p> <p><lb n="p2b_566.051"/> Piening <hi rendition="#aq">II</hi> 401.</p> <p><lb n="p2b_566.052"/> Pindars Gesänge <hi rendition="#aq">I</hi> 528.</p> <p><lb n="p2b_566.053"/> Pindar <hi rendition="#aq">II</hi> 119.</p> <p><lb n="p2b_566.054"/> Pinkerton <hi rendition="#aq">II</hi> 97.</p> <p><lb n="p2b_566.055"/> Pinzgauer <hi rendition="#aq">I 672. II</hi> 76.</p> <cb/> <p><lb n="p2b_566.101"/> Pirazzi, Emil <hi rendition="#aq">II</hi> 474.</p> <p><lb n="p2b_566.102"/> Planch<hi rendition="#aq">é II</hi> 528.</p> <p><lb n="p2b_566.103"/> Pläschke <hi rendition="#aq">II</hi> 107.</p> <lb n="p2b_566.104"/> <p>Platen <hi rendition="#aq">I 117. 210. 320. 323. 325. 327. <lb n="p2b_566.105"/> 329. 331. 332. 341. 342. 344. 359. <lb n="p2b_566.106"/> 423. 428. 430. 431. 435. 464. 465. <lb n="p2b_566.107"/> 489. 500. 512. 567. 578. 580. 585. <lb n="p2b_566.108"/> 634. 639. 647. 661. 679. 757. II</hi> 15. <lb n="p2b_566.109"/> 420. 455. 481. 489.</p> <p><lb n="p2b_566.110"/> Platens antikisierende Strophe <hi rendition="#aq">I</hi> 525.</p> <p><lb n="p2b_566.111"/> Platon <hi rendition="#aq">I 160. 162. II</hi>. 63.</p> <p><lb n="p2b_566.112"/> ─, über das Schöne <hi rendition="#aq">I</hi> 75. 78.</p> <p><lb n="p2b_566.113"/> Platon, Phädrus <hi rendition="#aq">I</hi> 78.</p> <p><lb n="p2b_566.114"/> ─, Epos und Tragödie <hi rendition="#aq">II</hi> 7.</p> <p><lb n="p2b_566.115"/> Plautus <hi rendition="#aq">II</hi> 494.</p> <p><lb n="p2b_566.116"/> Pleonasmus <hi rendition="#aq">I</hi> 108.</p> <lb n="p2b_566.117"/> <p>Plönnies <hi rendition="#aq">I 551. 682. II</hi> 262. 273. 325. <lb n="p2b_566.118"/> 501.</p> <p><lb n="p2b_566.119"/> Plotin <hi rendition="#aq">I</hi> 3.</p> <p><lb n="p2b_566.120"/> Pocci <hi rendition="#aq">I 429. II</hi> 501.</p> <lb n="p2b_566.121"/> <p>Poesie, Schwesterkünste ders. im Verhältnis <lb n="p2b_566.122"/> dazu <hi rendition="#aq">I</hi> 13.</p> <p><lb n="p2b_566.123"/> ─ schöne Form und schöner Jnhalt <hi rendition="#aq">I</hi> 12.</p> <p><lb n="p2b_566.124"/> ─ und Prosa <hi rendition="#aq">I</hi> 16.</p> <p><lb n="p2b_566.125"/> ─ Ursprung und Alter <hi rendition="#aq">I</hi> 18.</p> <p><lb n="p2b_566.126"/> ─ die ersten Gesänge <hi rendition="#aq">I</hi> 18.</p> <lb n="p2b_566.127"/> <p>─ Jordans Ansicht über Entstehung <hi rendition="#aq">I</hi> <lb n="p2b_566.128"/> 22.</p> <p><lb n="p2b_566.129"/> ─ Etymologisches üb. den Namen <hi rendition="#aq">I</hi> 24.</p> <p><lb n="p2b_566.130"/> ─ ihre Stoffe <hi rendition="#aq">I</hi> 39.</p> <p><lb n="p2b_566.131"/> ─ ihre Sprache <hi rendition="#aq">I</hi> 107.</p> <p><lb n="p2b_566.132"/> ─ melische <hi rendition="#aq">II</hi> 11.</p> <p><lb n="p2b_566.133"/> Poet, siehe Dichter.</p> <p><lb n="p2b_566.134"/> Poetik, Wesen derselben <hi rendition="#aq">I</hi> 1.</p> <p><lb n="p2b_566.135"/> ─ als Bedürfnis <hi rendition="#aq">I</hi> 2.</p> <lb n="p2b_566.136"/> <p>─ Geschichte ders. bis Schiller u. Goethe <lb n="p2b_566.137"/> <hi rendition="#aq">I</hi> 3.</p> <lb n="p2b_566.138"/> <p>─ Geschichte ders. bis in die Gegenwart <lb n="p2b_566.139"/> <hi rendition="#aq">I</hi> 6.</p> <p><lb n="p2b_566.140"/> ─ des M. Opitz <hi rendition="#aq">I</hi> 4.</p> <lb n="p2b_566.141"/> <p>─ das Verhältnis der Künste zu derselben <lb n="p2b_566.142"/> <hi rendition="#aq">I</hi> 8.</p> <p><lb n="p2b_566.143"/> ─ Gegenstand ders. <hi rendition="#aq">I</hi> 10.</p> <p><lb n="p2b_566.144"/> ─ Einführung ins Stoffliche <hi rendition="#aq">I</hi> 42.</p> <p><lb n="p2b_566.145"/> Poetische Erzählung <hi rendition="#aq">II</hi> 228.</p> <p><lb n="p2b_566.146"/> Poggel <hi rendition="#aq">I</hi> 7.</p> <p><lb n="p2b_566.147"/> Pohl, E. <hi rendition="#aq">II</hi> 488.</p> <p><lb n="p2b_566.148"/> Pohl, Richard <hi rendition="#aq">II</hi> 68. 501.</p> <p><lb n="p2b_566.149"/> Pölitz <hi rendition="#aq">II</hi> 536.</p> <p><lb n="p2b_566.150"/> Polko <hi rendition="#aq">II</hi> 401.</p> <p><lb n="p2b_566.151"/> Pollak <hi rendition="#aq">II</hi> 387.</p> <p><lb n="p2b_566.152"/> Polyptoton <hi rendition="#aq">I</hi> 189.</p> <p><lb n="p2b_566.153"/> Polysyndeton <hi rendition="#aq">I</hi> 184.</p> <p><lb n="p2b_566.154"/> Ponholzer <hi rendition="#aq">II</hi> 501.</p> <p><lb n="p2b_566.155"/> Ponsard <hi rendition="#aq">II</hi> 501.</p> <cb type="end"/> </div> </back> </text> </TEI> [566/0588]
p2b_566.001
Päon I 302.
p2b_566.002
Pape II 501.
p2b_566.003
Parabel II 167.
p2b_566.004
Paradoxon I 198.
p2b_566.005
Parallelismus II 194. 392.
p2b_566.006
Paramythie II 171.
p2b_566.007
Parenthese I 212.
p2b_566.008
Parisius II 401.
p2b_566.009
Parodie II 193.
p2b_566.010
Parzival I 46. II 306.
p2b_566.011
Pasque II 368. 501.
p2b_566.012
Passion II 536.
p2b_566.013
Paul II 406.
p2b_566.014
Paulsen II 474.
p2b_566.015
Paumgartten, v. II 421. 501.
p2b_566.016
Pause, rhythmische I 270.
p2b_566.017
Pegnitzschäfer I 510.
p2b_566.018
Peiwasch-Parneh, Volksepos d. Lappen p2b_566.019
II 283. 297. 298.
p2b_566.020
Pentameter I 357.
p2b_566.021
Percy II 75. 97.
p2b_566.022
Pergolese II 511. 516.
p2b_566.023
Peri II 514.
p2b_566.024
Perinot II 489.
p2b_566.025
Peripetie im Drama II 45.
p2b_566.026
Perl II 401.
p2b_566.027
Perrault II 261.
p2b_566.028
Perron II 501.
p2b_566.029
Persische Vierzeile I 584. 643.
p2b_566.030
Personifikationen I 169.
p2b_566.031
Pessimistenbrevier II 428.
p2b_566.032
Peter v. Staufenberg I 48.
p2b_566.033
Petöfi II 156.
p2b_566.034
Petrarka II 139.
p2b_566.035
Petri I 7.
p2b_566.036
Petrik II 501.
p2b_566.037
Pfarrius I 211. 739. 741. II 387. 401.
p2b_566.038
Pfeffel II 88. 175. 207. 215. 253.
p2b_566.039
Pfinzing, Melchior II 178.
p2b_566.040
Pfitzer G. I 504. II 67. 273.
p2b_566.041
Pflug II 387.
p2b_566.042
Phädrus (Fabeldichter) II 165.
p2b_566.043
Phaläkische Strophe I 524.
p2b_566.044
Phaläkischer Vers I 339.
p2b_566.045
Pherekratischer Vers I 340.
p2b_566.046
Pherekratische Strophe I 523.
p2b_566.047
Philippson II 387. 400.
p2b_566.048
Phöbus I 108.
p2b_566.049
Pichler, A. II 107. 401. 501.
p2b_566.050
Pichler, Karoline II 235. 253.
p2b_566.051
Piening II 401.
p2b_566.052
Pindars Gesänge I 528.
p2b_566.053
Pindar II 119.
p2b_566.054
Pinkerton II 97.
p2b_566.055
Pinzgauer I 672. II 76.
p2b_566.101
Pirazzi, Emil II 474.
p2b_566.102
Planché II 528.
p2b_566.103
Pläschke II 107.
p2b_566.104
Platen I 117. 210. 320. 323. 325. 327. p2b_566.105
329. 331. 332. 341. 342. 344. 359. p2b_566.106
423. 428. 430. 431. 435. 464. 465. p2b_566.107
489. 500. 512. 567. 578. 580. 585. p2b_566.108
634. 639. 647. 661. 679. 757. II 15. p2b_566.109
420. 455. 481. 489.
p2b_566.110
Platens antikisierende Strophe I 525.
p2b_566.111
Platon I 160. 162. II. 63.
p2b_566.112
─, über das Schöne I 75. 78.
p2b_566.113
Platon, Phädrus I 78.
p2b_566.114
─, Epos und Tragödie II 7.
p2b_566.115
Plautus II 494.
p2b_566.116
Pleonasmus I 108.
p2b_566.117
Plönnies I 551. 682. II 262. 273. 325. p2b_566.118
501.
p2b_566.119
Plotin I 3.
p2b_566.120
Pocci I 429. II 501.
p2b_566.121
Poesie, Schwesterkünste ders. im Verhältnis p2b_566.122
dazu I 13.
p2b_566.123
─ schöne Form und schöner Jnhalt I 12.
p2b_566.124
─ und Prosa I 16.
p2b_566.125
─ Ursprung und Alter I 18.
p2b_566.126
─ die ersten Gesänge I 18.
p2b_566.127
─ Jordans Ansicht über Entstehung I p2b_566.128
22.
p2b_566.129
─ Etymologisches üb. den Namen I 24.
p2b_566.130
─ ihre Stoffe I 39.
p2b_566.131
─ ihre Sprache I 107.
p2b_566.132
─ melische II 11.
p2b_566.133
Poet, siehe Dichter.
p2b_566.134
Poetik, Wesen derselben I 1.
p2b_566.135
─ als Bedürfnis I 2.
p2b_566.136
─ Geschichte ders. bis Schiller u. Goethe p2b_566.137
I 3.
p2b_566.138
─ Geschichte ders. bis in die Gegenwart p2b_566.139
I 6.
p2b_566.140
─ des M. Opitz I 4.
p2b_566.141
─ das Verhältnis der Künste zu derselben p2b_566.142
I 8.
p2b_566.143
─ Gegenstand ders. I 10.
p2b_566.144
─ Einführung ins Stoffliche I 42.
p2b_566.145
Poetische Erzählung II 228.
p2b_566.146
Poggel I 7.
p2b_566.147
Pohl, E. II 488.
p2b_566.148
Pohl, Richard II 68. 501.
p2b_566.149
Pölitz II 536.
p2b_566.150
Polko II 401.
p2b_566.151
Pollak II 387.
p2b_566.152
Polyptoton I 189.
p2b_566.153
Polysyndeton I 184.
p2b_566.154
Ponholzer II 501.
p2b_566.155
Ponsard II 501.
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Zitationshilfe: | Beyer, Conrad: Deutsche Poetik. Handbuch der deutschen Dichtkunst nach den Anforderungen der Gegenwart. Zweiter Band. Stuttgart, 1883, S. 566. In: Deutsches Textarchiv <https://www.deutschestextarchiv.de/beyer_poetik02_1883/588>, abgerufen am 16.07.2024. |